High On The Hog Reader

We planted seeds, we toiled the fields, and we watched as our hard work sprouted gold. We nourished a nation through our cooking and baked our traditions in the cuisines that would define America. Our story is America.
— Stephen Satterfield

Introduction

When I first read High on the Hog by Dr. Jessica B. Harris, it fundamentally changed my culinary perspective. As a new chef questioning my identity in a culinary world that often overlooked Black foodways, I struggled to define my culture center within America’s melting pot mentality, especially in 2011 when resources were scarce so when Dr. Harris crystalized a foundational framework to see myself and my work through my life was changed.

Before High on the Hog, few detailed nonfiction books focused on Black influences in American cuisine. Dr. Psyche Forson-Williams’ Building Houses out of Chicken Legs (2006) shared stories of Black entrepreneurship and women's empowerment in food service. Dr. Fred Opie's Hog and Hominy (2008) examined the myths around Black food culture, addressing cultural diffusion.

Cookbooks were another avenue for acknowledging Black culture, as shown by Toni Tipton Martin in The Jemima Code, which traces 200 years of Black-authored cookbooks. Although renowned chefs like Edna Lewis and Vertamae Smart-Grosvenor celebrated their heritage, High on the Hog was the first work to strongly advocate for a complete reevaluation of American cuisine through the Black experience, challenging the narrow narratives typically presented.

Dr. Harris created a straightforward linear story of how Black culture contributed to this country’s culinary identity. She had already written 12 cookbooks spanning 25 years that had explored the African diaspora. In 300 pages, she introduced a popular non-fiction book on food history that lived outside of the academic setting or the cookbook section, and she did it all in the graceful, relatable, and conversational style she had come to be known for.

A decade later, the media world has changed, making way for the new docuseries High on the Hog. Produced by Fabienne Toback and Karis Jagger, with director Roger Ross Williams, it explores the first part of Dr. Harris’ book, tracing the Black culinary journey from West Africa, through the middle passage, to America and emancipation. Hosted by Stephen Satterfield from Whetstone Media, the series visually and sonically captures the book's essence, blending historical themes with modern voices and settings.

High on the Hog is both eye-opening and inspiring, shaping a fresh approach to Black food culture. The docuseries has opened doors for Black food in film and TV, along with inspiring new diasporic restaurants like Eduardo Jordan’s Junebaby, Kristi Brown’s Communion, Mashama Baily’s The Grey, and Erick Williams’ Virtue. There's also a growing interest in Black culinary nonfiction, with publications like For the Culture, Whetstone, and While Entertaining, plus a new imprint called 4 Color Books from Bryant Terry, starting with the anthology Black Food.

This series centers on Dr. Jessica B. Harris's argument from ten years ago about the essence of American cuisine. It has taken two terms of the Obama presidency, changes in food media, and a revival of social awareness to show that she was correct. The question now is how the food world will respond to this insight, and what Black creatives will do with this recognition. Only time will reveal the answers. However, if the past decade since "High on the Hog" is any guide, it’s a pivotal moment to reflect on Black foodways, making this series significant.

Breakdown of the Reader Methodology

This reader is created to enhance the engaging docuseries and help you easily follow the book's content. Each episode is clearly outlined, providing important location details, informative subject biographies, and extra reading materials to enrich your experience. There are also curated culinary suggestions to enhance your viewing and connect you to the diverse themes in each episode, inviting you to enjoy the history and flavors as you go.

Season One

  • Our Roots

    Directed by Roger Ross Williams
    The series kicks off in Benin with Stephen and Dr. Harris exploring the Dantokpa open-air market, talking through the diasporic pantry that made its way through the middle passage to the US. There is a beautiful synergy to Dr. Harris guiding Stephen and passing on her wisdom in a tender and profoundly spiritual way. Her work has given the world a cultural and culinary grounding that we feel through Stephen exploring and absorbing the art and culture and communities that Black ancestors would have come from in a profound and tangible exercise in Sankofa. 

    Locations:

    Cotonou, Benin - modern port city. West African port of departure

    Dan-Tokpa Market, the largest open-air market in West Africa 

    Saveurs Du Benin - Valerie Vinakpon Chef/ Owner

    Chill N’Grill - Sedjro Ahouansou Chef/Owner

    Abomey, Benin - an interior village where enslaved would have been walked from 

    Ganvie, Benin - water village site for freedom think sea islands off sc ga and fl

    Porto-Novo, Benin 

    Ouidah, Benin - beginning of the middle passage

    Episode Subjects:

    Dr. Jessica B. Harris, Author High on the Hog

    Valerie Vinakpon Writer, Owner/Executive Chef Saveurs Du Benin Cotonou Benin

    Karelle Vignon-Vullierme, Food Blogger

    Sedjro Ahouansou, Owner/Executive Chef Chill N’ Grill Cotonou Benin

    Eric Kiki, tour guide Ganvie native

    Romuald Hazoume, Artists

    Episode Reading:

    For this episode, you should read chapters 1 & 2. Dr. Harris’ uses these chapters to share her thoughts on the power of diaspora and the experience of the foodways, cultural language, and relevant geography of West Africa. She also contextualizes the middle passage and lifts up the direct links from West Africa to the American south that the transatlantic slave trade created. As mentioned earlier the series only covers the first half of the book so keep in mind you’re reading can continue with the bibliography throughout. 

    Additional Materials:

    The Cooking Gene by Michael Twitty

    Travel Benin

    Romuald Hazoume Interview



    Aesthetic Vibes:

    Afrobeats Playlist

    Romuald Hazoume artwork

    Episode Menu:

    Omo Tuo (Rice Balls) with Tomato Jam

    Lamb Suya with Groundnut Gremolata

    Fried Snapper with Red Palm Aoli

    Grilled Okra with Blistered Pepper Sauce

    Plantain Fufu with Peanut sauce

    Coconut Pannacotta with Pineapple compote

    Palm Wine Cocktai

  • The Rice Kingdom

    Directed by Roger Ross Williams

    We go from Benin to its cultural, culinary cousin, the low country of South Carolina, where Stephen explores the sea islands around Charleston. We are introduced to Chef Bill and Mrs. Sara Green of Gullah Grub Restaurant and chef, author, and historian Sallie Ann Robinson. These legendary keepers of Gullah heritage are the perfect beginning to the American leg of this journey. The series also balances the gravitas of these elders with younger, equally brilliant voices sharing their expertise. They include culinary historian Michael Twitty, chef, local Gullah culinary ambassador Benjamin ‘BJ’ Dennis, and preservationist and food activist Gabrielle E.W. Carter. Each of them is carrying on the tradition in their unique ways. 

    Charleston as the point of origin for episode 2 makes a lot of sense because there is an essentialness to the low country as the financial epicenter of American wealth via the rice trade, but also the tension between preservation of cultural identity and the cooptation of that identity all juxtaposed with the forces of capitalism and gentrification that make that cultural work more difficult each generation.

    Locations:

    Charleston, South Carolina

    Old Slave Mart

    Magnolia Plantation and Gardens

    Sullivan’s Island, South Carolina

    Columbia South Carolina

    Anson Mills

    St. Helena Island, South Carolina

    Gullah Grub Restaurant

    Daufuskie Island, South Carolina

    Apex, North Carolina

    Episode Subjects:

    Chef Benjamin BJ Dennis, chef 

    Michael W. Twitty, writer, historian

    Glenn Roberts, Owner Anson Mills founder Carolina Gold Ricer Foundation

    Chef Bill and Mrs.Sara Green, owners of Gullah Grub Restaurant

    Sallie Ann Robinson, chef, writer, historian

    Gabrielle E. W. Carter chef, preservationist, co0founder Tall Grass Food Box

    Andrew Woodard

    Episode Reading:

    Chapter 3 of high on the hog takes us on a journey through enslaved life and how critical it is to our understanding of how west African traditions evolved into America. Charleston is the site of the greatest wealth and the most  

    Supplement Materials:

    Gullah Home Cooking by Sallie Ann Robinson

    Vibration Cooking or the Travel Notes of a Geechie Girl by Vertamae Smart Grosvenor

    Chef Bill Green

    Charleston Gentrification

    American wealth explained through the lens of the rice coast

    The preservation of Gullah communities

    Gabrielle’s Family Farm Legacy

    Aesthetic Vibes:

    Gullah Playlist

    Gullah Art

    The Art of Sweetgrass Baskets

    Episode Menu:

    Okra Soup

    Smoked Mullet and Crab Fritters with Pickled Pepper Sauce

    Dandelion Salad with Roasted Sweet Potato, Mushrooms, and Herb Vinaigrette

    Grilled Chicken with Onion Soubise

    White Lima Bean and Field Pea Cassoulet

    Carolina Gold Rice

    Cornmeal Poundcake with Fresh Berries and Chantilly Cream

    Plum Wine or Cide

  • Our Founding Chefs

    Directed by Roger Ross Williams and Johnathan Clasberry

    From the low country and our diasporic connection to West Africa, we next to dig into the building of American gastronomy through the colonial era and through the chefs, caterers, bartenders, and entrepreneurs that gave themselves over to professional hospitality work long before it was a revered industry. This episode is perhaps my favorite because it showcases culinary historian and living legend Dr. Leni Sorenson, who is mainly responsible for unearthing and shepherding research at Monticello that reclaims the legacy of the enslaved through the records of Thomas Jefferson. Her research and efforts are primarily responsible for why we know so much about Black life there and that these producers gave room for Dr. Sorensen is powerful in and of itself. 

    The episode also stands out because it offers a glimpse into how modern chefs pick up the cultural baton of Black culinary history and infuse it into their work. Chef Omar Tate of Honeysuckle Projects, who is fresh off his Stone Barns residency, uses Black culture, art, and history to create highly conceptual pop-ups. Ben Harney, artist, oysterman, and owner of The Real Mother Shucker, reclaims and decolonizes the seafood industry by using the legacy of famed NYC oysterman and restauranteur Thomas Downing as the inspiration for his business. And perhaps most overtly, chefs Brian Dunsmoor and Martin Draluck of Los Angeles restaurant Hatchet Hall focus on the techniques and methodology of the early American kitchens of Hercules Posey and James Hemings. 

    Locations:

    New York, NY

    Brooklyn, NY

    Staten Island, NY

    Philadelphia, PA 

    Charlottesville, VA Monticello

    Los Angeles, CA Hatchet Hall

    Episode Subjects:

    Adrian Miller, writer, historian

    Omar Tate, chef writer, Owner/Chef Honeysuckle Projects 

    Dr. Leni Sorensen, historian Indigo House

    Niya Bates, Director of African American History, Monticello

    Gayle Jessup White, Community Engagement officer, Monticello, Hemings Descendant

    Sylvia D’Alessandro, Executive director Sandyground Historical Society

    Valarie Erwin, chef

    Ben Harney, artists, oysterman, owner/ Chef The Real Mother Shuckers

    Brian Dunsmoor, Owner/Chef Hatchet Hall

    Martin Draluck, Chef de Cuisine Hatchet Hall

    Lauren Monroe, Descendant of the Philadelphia catering family the Dutrieuilles

    Patricia Wilson Arden, Former President, The African American Museum of Philadephia

    Episode Reading:

    Chapters 4, 5, and the first half of 6 of High on the hog are required to absorb this episode. Dr. Harris uses these chapters to talk about the professional lives of Black people free and enslaved from plantation life to entrepreneurship particularly during the colonial era.

    Supplement Materials:

    Hercules Posey

    James Hemings

    The President’s Kitchen Cabinet by Adrian Miller

    Aesthetic Vibe:

    Hamilton Playlist

    Episode Menu:

    Sweet Potato Biscuits with Virginia Ham and Pickled Mustard Seeds

    Oyster Stew with Crispy Oysters and Green Apple Salad

    Roasted Veal Chops with Crab Veloute 

    Macaroni Pie with Truffles and Brie

    Braised Artichokes with White wine and capers

    Vanilla Ice cream with Baked Meringues, Fresh Fruit, and Gooseberry sauce

    Pale Ale or IPA preferably Black-owned, Dry White Win

  • Freedom

    Directed by Yoruba Richen

    The series ends on Freedom taking us on a trip through Texas. It’s an appropriate place to conclude the story because so much of the unfulfilled promise of America to the Black people who gave themselves to build this nation can be seen through the cowboys and frontiersmen of Texas. These brave men and women saw possibility and the power of self-determination as a birthright and traveled west searching for personhood. 

    In the final episode, we end with Anthony Bruno, trail boss of the Northeastern Trail Riders. He shares the legacy of the Black cowboy through his father, the elder Mr. Bruno, and the passing on of traditions intergenerationally through the ritual of trail riding. We also meet BBQ pitmasters and restauranteurs and conclude with Toni Tipton Martin using one of the stops of her abbreviated book tour for her cookbook Jubilee to share the stage and highlight chef Chris Williams who is carrying on the legacy of his great grandmother, the late chef, and restaurateur Lucille B. Smith.

    Locations:

    Hempstead, Texas

    Galveston, Texas

    Fresno, Texas

    Huntsville, Texas - New Zion Missionary Baptist Church & BBQ, 

    Houston, Texas

    Gatlin’s BBQ

    Lucille’s Restaurant

    Rosenburg, Texas - Black Cowboy’s Museum

    Wharton Country, Texas - Wharton County Youth Fair

    Episode Subjects 

    Jerrelle Guy, writer, cookbook author

    Anthony Bruno, Trail Boss, Northeastern Trail Riders

    Pastor Clinton Edison, Pastor, pitmaster, New Zion Missionary Baptist Church & BBQ

    Greg Gatlin, Co-Owner, Gatlin’s BBQ

    Mary Gatlin, Co-Owner, Gatlin’s BBQ

    Michelle Wallace, Executive Chef, Gatlin’s BBQ

    Eugene Thomas, Juneteenth Descendant

    Toni Topton Martin, author, historian, journalist

    Chris Williams, Owner/Chef,  Lucille’s Restaurant

    Larry Callies, Founder, Black Cowboy Museum

    Episode Reading:

    The secong half of chapter 6, the “O! Freedom” section, and 7 Westward Ho! are the chapters to focus on in this episode. Episode 4 concerns itself with Texas as the thematic manifestation of emancipation and the articulation of a visceral language of freedom. Texas bcomes the site of the promise, if not the actualization of black agency and the symbolism of cowboys, manifest destiny, and Black authorship of BBQ tradition round out thus episode.

    Supplement Materials:

    Black Smoke by Adrian Miller

    Juneteenth

    Black Cowboys

    Aestetic Vibe:

    Juneteenth Playlist

    Episode Menu:

    Pickled Shrimp with Okra and Tomatoes

    Fried Green Tomatoes with Goat Cheese and Red Pepper Remoulade 

    Smoked Brisket 

    Warm Sweet Potato Salad

    Kale and Collard Green Salad with Chili Vinaigrette

    Sweet Corn and Jalapeno Spoonbread

    Red Velvet Cake

    Lavender Tea Cakes with Lemon Sorbet and fresh berries

    Hibiscus Tea and Citrus Mint Tea

Season Two